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Boeremusiek (Afrikaans: ‘Boer music’) is a type of South African instrumental folk music. Its original intent was to be an accompaniment to social dancing at parties and festivals.

A concertina is similar to an accordion and is the lead instrument in most Boeremusiek bands. There are many different types of concertinas, which is why Boeremusiek has so many unique sounds and styles, and the construction the concertina is what makes the different sounds in the Boeremusiek band; it depends on where the slots and holes are put makes the difference on the sound that the concertina makes.Other instruments that might be in a Boeremusiek band would be piano accordions, button harmonicas, accordions, pianos, harmoniums and the guitar, and sometimes, a cello or bass guitar may be seen.The sound of a Boeremusiek band may depend on what region the band is from, seeing that Boermusiek’s intent is to be informal, instrumental dance music.

Today, there are many successful Boeremusiek bands that have recorded albums. Some famous bands and individual artists today include Klipwerf Boereorkes, Danie Grey, Nico Carstens, Taffie Kikkilus, Brian Nieuwoudt, Samuel Petzer, Worsie Visser and Die Ghitaar Man

This is a question that has experts pondering for years and can not be answered without a measure of controversy. In short we, The Traditional Boer Music Club, can define Boermusic as instrumental folk music, dating from the period during which the people who practiced it where internationally know as "Die Boere" (The Boers) of South Africa. It is informal music that is played in a distinctive way and was primarily intended as accompaniment for social dancing. For the purpose of this conversation we exclude other kinds of Afrikaans music from the same period like ballads, serenades and music aimed at passive audiences.

It is nearly impossible to put the rich variety of feeling elements, nuances and sounds that form the essence of Boermusic into words. It is an "experience" of strong and unique character that can not be described in music science terms. The concertina was, and is still to this day, the top lead instrument in Boermusic. Apart from the different types of concertinas that are found in Boer music, there are different dance rhythms and variations in accompaniment. It is striking how each artist often develops a unique and recognizable style. Just as amazing is how the different types of concertinas as well as the different geographical regions created divergent disciplines within Boermusic.The origins of Boermusic is like a vine with entangled roots and the development has to be distilled from history and myth. The earliest writings contained no reference to the term "Boermusic" or "Boere orkes" (Boermusic band). It is therefor necessary to search for clues that point to the music in question as light, cheerful, informal and indigenous dance music and not formal or classical music. For that we have to follow references to music-, dance- and song habits during the course of history to determine the inception of Boermusic and how it developed.

Boermusic is largely European in origin and it would be a misconception to think that it was brought to South Africa by the early settlers. Most of it was imported fairly recently but aquired a flavour of its own and remained in vogue here long after it went out of fashion abroad.Whenever a certain dance became popular in Europe or anywhere else, it was not long before it was introduced in the Cape by military bands of the British Empire. Whenever they were off duty, they hired themelves out for parties, weddings and other social events. There where dance masters who taught the new dances to the locals and from there it spread into the hinterland. It acquired a local flavour and character of it's own in the process. A large volume of Boermusic was consequently composed by local musicans, as is still the case today. There where also music teachers who noted down local tunes. The first person to do this was Charles Etienne Boniface (1787-1853) who arrived in the Cape in February 1807



 



Boeredanse neem ons sover terug as die 1800’s toe dit reeds gedans is en ‘n karaktertrek wat nooit verlore sal gaan nie, is die groepsbetrokkenheid en groepsgebondenheid wat ook in hierdie groep ervaar word.

Die groep is ‘n samestelling van kinders uit laer en hoërskole uit die Pretoria omgewing maar sluit ook lede in vanuit Randburg en Edenvale.  Vir hierdie feesgeleentheid is daar volwassenes, waarvan sommiges ouers van die dansers is, wat saam met die groep optree.

Die groep neem jaarliks deel aan die Tshwane Jeug Kunstefees wat aangebied word in die Staatsteater en ook aan die Nasionale Eisteddfod waar hulle reeds vir vier agtereenvolgende jare ‘n Diploma verwerf.

In 2014 vier die groep dus hulle 10de bestaansjaar en die eens kronkelende paadjie het ‘n teerpad geword en ons doel is om dit ‘n besige snelweg te maak.Dis ook nodig vir die kinders om ‘n volksfees te beleef, want ‘n boek kan net soveel sê.  Die belewenis en die gevoel wat hierdie monument by die kinders gaan wakker maak sal vir ewig by hulle bly.

Eintlik is daar net een sin wat die Wapadrand Boeredansgroep se hoofrede by die 100-jaar feesgeleentheid kan opsom:




SOUTH AFRIKAAN VOLK BOERE MUSIC












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